Submissions

Thanks for your interest. Submissions to On Spec are currently closed. 

Please note that we do not accept emailed submissions except through prior arrangement with editorial staff. 

 

Writing Tips from On Spec 

 

If you submit work during our Submission period, please scroll down to refer to the How Does It Work? section on this page. That will give you an idea of what to expect next.

If you are an artist and have previously sent us samples of your work, we will let you know if we find something we’d like to use.

 

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What are we looking for? And what are we NOT looking for?

We like to pride ourselves in searching out the most interesting and innovative works of fiction and poetry in the genre. So what do we want?

  • Speculative writing of all kinds, but nothing derivative. Try to avoid what you think are trends, because by the time we’d publish them, they won’t be. Remember, you are a trendsetter, not a trend follower.
  • If you are confused about proper formatting, refer to the Shunn manuscript format guidelines and you won’t go wrong. 
  • This is particularly relevant now, as we understand many writers are eager to send us their own pandemic or COVID stories. 
  • We’ll gladly look at works up to 6,000 words, but keep in mind that most of these will eventually need a hard edit to reduce a thousand words of exposition. If you do that, yourself. it makes us more likely to pick up your story.
  • We’d prefer a standard manuscript format, in a readable font. If you are new to this, do some research.  https://www.shunn.net/format/story/
  • The work must be previously unpublished in English in North America. We buy First NA Serial Rights to your work.
  • We are not fond of graphic sex and violence. And we are not fond of horror that is simply “messy”.
  • When we say “character-driven”, we mean it. A story that exists because a character is pushed along by outside influences and has absolutely no agency, will not grab our attention.
  • Keep the stakes high in your story. Remember that we need the reader to WANT to turn the pages. We need the reader to miss that bus or train stop because they are totally absorbed in the “what happens next?” of an On Spec story. We need the readers to ENGAGE with your protagonist, so they care about how things turn out.
  • Watch out for flags that predict the ending of the story before we get to it.
  • Don’t send us a HAITE story. That’s our acronym for “Here’s An Idea: The End”.
  • Watch out for surprise Twist endings, especially if you have hidden a key piece of information from the Reader until the deus ex machina ending happens. The same applies to “one joke” or “Shaggy dog” endings. 
  • Make sure your story gives the reader a credible reason to willingly suspend their disbelief, and always make the ending of your story believable. The last thing we want to see is “It was all a dream”, or “we’re all living inside a snow globe”, or “this was all VR”.
  • Stay away from really awful protagonists. Remember the point above where we want the reader to be engaged with the protagonist and really care about the outcome.
  • While we don’t check on a writer’s ethnic background or gender identification, we do encourage works from diverse communities of writers. We have a diverse editorial staff. If you are coming from a place of respect for the culture, characters, and the subject matter, we’ll know.
  • By the way, have you researched your market before hitting that “submit” button?  It is a waste of everyone’s time when a writer sends us a work that has absolutely no SFF content at all.  A digital copy of an On Spec issue is readily and cheaply available from Weightless Books.
  • And it goes without saying that folks in the magazine sector are having some serious conversations concerning the possible threat of AI-generated fiction that passes itself off as “original”. While we can take some things on faith that writers who submit to On Spec are sending their finest fiction and poetry, we will be more cautious than ever going forward. If we buy your work, the contract will include a clause where you say that the work is 100% yours, with no AI content. We don’t count using Grammarly as AI, but we do hope that your grammar and spelling are carefully checked. 

 

What about Poetry? 

    • As noted elsewhere, if you send multiple poems, try to keep it to three, and make sure that each poem is submitted separately! We know that it looks like you can attach multiple files with a submission, but we like to keep each item on its own, so the title is unique and if we decide to buy one poem out of three submitted, it’s easier to keep organized.
    • Only fantasy, science fiction, horror, or any of their subgenres are accepted. Horror must have a speculative element
    • Don’t worry about word count, though very long (multi-page) poems must be VERY engaging to justify their length 
    • Cover letters are not required
    • Poems should show something unique that hasn’t been done before. Being bitten by a werewolf is common enough, but a unique perspective on a common experience can make all the difference.
    • Rhyming, singsong poetry, or ballads will be considered only if the rhyme and form contributes significantly to the poem’s content or theme, or if the poet has used a traditional form in a new way. Rhymes should not be arbitrary or made just for the sake of rhyming
    • We like strong emotion and imagery that “shows, not tells”
    • No extraneous words
    • No sloppy punctuation: every comma, dash, line break, period, or lack thereof should be there for a reason. Choice of upper or lower case letters, or the use of slashes and other trendy devices, should not seem arbitrary but should show an intentional effect on rhythm, theme, or content. 
    • We welcome pastiche poems, but do cite your sources
    • Line breaks matter
  •  

 

How does it work?

  •  The first reader assigned to each manuscript will determine its literary merit and overall suitability for On Spec, and will flag the story with an Accept or Decline as well as listing their reactions to the story. This goes on to the attention of the Managing Editor.
  • A story that obviously does not meet our needs will be sent a letter stating the work is unsuitable for On Spec. Keep in mind that we probably buy 1 story for every 20 that we read.
  • A story that has potential will probably be read by one or more of the other editors until a final decision is made.
  • Art submissions are viewed for suitability by two editors, and we may also look at your web site to see other works that may be available.
  • We also need to be aware of the budget we have for buying new work, as well as the number of stories we have on hand to be used in upcoming issues. We also need to be aware of Canadian content. We DO buy works from non-Canadians, but our mandate was always to showcase works by writers from our own country.
  • You will eventually receive either an email saying your story has been declined,  or an offer of a publication contract in due course. You can track progress and status of your manuscript  through your account created on the On Spec site.
  • If you still have questions after reading this, feel free to send us a note on the Contact Us page of the web site.
  • Remember the editors’ decision is final, and writing back to complain about being rejected is not a professional thing to do. Just send your story to a new market and keep sending until it gets sold. You’d be surprised at the number of writers who find a market on their 9th or 10th attempt at submission.
  • And if you are actually reading this page, we’d like to reward you. Send us a note through the CONTACT US page, saying you read the Submission guidelines, and we will send you a digital copy of an issue of On Spec, free of charge. 
 

Payment

ON SPEC buys first North American serial (magazine) rights to your work. We pay upon acceptance.

Pay rates are as follows and in Canadian dollars:

  • Poems (4-100 lines): $100  CDN plus  a one-year subscription and 2 contributor copies
  • Short-short stories (under 2000 words): $100 CDN, plus a one-year subscription and 2 contributor copies

Fiction (6000 words max.)

  • .05 CDN per word  plus 2 contributor’s copies plus a One year subscription
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55 thoughts on “Submissions”

  1. I’ve looked everywhere, but I can’t find specific guidelines for poetry submissions.
    How many poems should we submit (minimum, maximum)? Should we submit them as one .rtf file, or each poem as a separate submission? How should we format our poetry submission?

    1. You can send several poems, although it makes it easier if each one is sent separately. For example, we may decline all but one. Formatting would depend on the poem, itself.

    1. Still a no-go without a phone number. Always wants a valid phone number. Have tried with dashes, without dashes, with area code brackets, with a long distance 1, and as a 555-5555. Too timid to try 666-6666.

      1. If all else fails, send the story by email to onspecmag(at)gmail.com and explain the circumstances. We will accept it that way. We just don’t want to make a habit of it .

  2. Hi,
    The poetry submission guidelines are available for viewing on the Submittable page for sending Poetry to On Spec. They are just not shown on our website.

  3. Hello, I know this falls beyond your usual publications, but would you consider graphic works of fiction an acceptable format? (Ie works in the format of graphic novels, illustrated stories, any kind of word+image combinations…)

    1. We did experiment briefly with a graphic story a few years ago. Because our interior is not in colour, this does limit the potential. This is something we may come back to in the future, however.

  4. You say you take stories of up to 6000 words but it won’t let me submit a story over 1000 words when I try and submit. How do I work around this?

    1. Just attach your story as a Word or RTF document. The 1000 words limit is in the Comments box where you can add a cover letter if you wish.

  5. Dear On Spec, my name is Christopher Ibrahim from Nigeria. I would like to ask during submissions for poems, is the writer to add his/her name? Also, you talked about collecting works from North American writers so, I am curious, to ask ” what about African writers?
    Thank you

    Christopher Ibrahim

    1. Hi Christopher and thanks for your question. We have published work from writers and artists in many different countries–Greece, Australia, USA, Italy– we’d be happy to see a submission from the African continent!

    2. Sorry to take so long to reply to you. We accept submissions from around the world. And please do add your name ! Most important! We are currently closed for all submissions, but do keep us in mind for later in the year.

    3. Hello Christopher. Sorry we missed this question. Yes, always put your name on any submissions. We love receiving any works from around the world! Other North American (US or Canada) publications (unless they specifically say otherwise) also accept works from anywhere.

    1. Hi Rusti,

      We may open to poetry a bit sooner, but at the moment all the editors are busy with what we received. Watch for announcements.

      Diane

    1. Thanks for your question. When we are open to new submissions there will be instructions on the web site that show you how to register your new account and then upload a story for us to read.

      The Editors

    1. Sorry, I was incorrect. It looks like we have a full schedule of stories right now, so we will probably not open again until next Fall. Keep writing and submit your stories to other markets, too! Good luck!

  6. How many stories are we allowed to submit at a time? I got two I’d like to try at once, so I’m checking to see if it’s possible to submit both of them.

  7. Hello,
    I have a fiction piece of 4,000 words that I would consider submitting. However, I see that one must have prior approval from a staff member in order for the work to be submitted by email. Do you have advice for me?
    Thank you,
    Jerome

  8. Hi,
    How long do you normally keep things under review? I submitted some work 11/8 but can’t find anywhere that gives a time estimate. Thank you!

    1. The short answer is “as long as it takes”. We have a small team of volunteers and reading each one of the 600 or so submissions takes time. Stories remain in the queue until assigned to a reader, and once the reader gets to it, responses can be quick (decline) or slow (under review until more readers have their say).
      We appreciate your patience. Some writers have already sold their stories and poems elsewhere and so they let us know to remove them from the queue.

      The Editors

  9. Do you know when you’ll be open for submissions again? (Somehow, I had marked in my submissions calendar that you would be open on Nov. 1, 2023, but I don’t remember where I got that.)

    1. Thanks for this, Larry. Everything with On Spec is a moving target. I’m hoping to be able to set up the new submission process sometime this month.
      Diane

  10. I need to re-read your Guidelines all the way through for a third time. There’s a lot there. OK , so the Theroux Clan is still strong in Quebec / Newfoundland, but some of us went south with the Flood. Still, only a degree or two removed, eh?

    1. Thanks for this inquiry. We received an unprecedented 600 short story submissions in our recent submission period. With a volunteer editorial group of maybe a dozen people, some not always available due to school, work, family and health issues, it’s going to take some time to read through all the stories, some by more than one editor, before we decide what contracts to offer. Since we are likely to find at least a year’s worth of quality work, we won’t need to open to new submissions until the end of 2024.

  11. How do I query about a submission, only it’s been sat Pending for quite a while? The only options are to edit or delete. I am seeing responses logged on grinder that were submitted well after mine.

    1. Thanks for this inquiry. We were flooded with more than 500 submissions, and have a small team of volunteers to read them. Stories are assigned in random order, so yours is still in the queue for reading. That said, we are actually on target with the reading this year. Some stories may actually be waiting for a second or even third reader before we decide to offer a contract or decline them.

      D. Walton
      Managing Editor

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The Canadian Magazine of the Fantastic